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Modern Architecture Since 1900 by William J.R. Curtis
Modern Architecture Since 1900 by William J.R. Curtis








Modern Architecture Since 1900 by William J.R. Curtis Modern Architecture Since 1900 by William J.R. Curtis Modern Architecture Since 1900 by William J.R. Curtis

between the wars - The ideal community: alternatives to the industrial city - The international style, the individual talent and the myth of functionalism - The image and idea of Le Corbusier's Villa savoye at Poissy - The continuity of older traditions - Nature and the machine: Mies Van Der Rohe, Wright and Le Corbusier in the 1930s - The spread of modern architecture to Britain and Scandinavia - Totalitarian critiques of the modern movement - International, national, regional: the diversity of a new tradition - Modern architecture in the U.S.A.: immigration and consolidation - Form and meaning in the late works of Le Corbusier - The Unit©♭ d'habitation at Marseilles as a collective housing prototype - Alvar Aalto and Scandinavian developments - Disjunctions and continuities in the Europe of the 1950s - The process of absorption: Latin America, Australia, Japan - On monuments and monumentality: Louis I. Responses to mechanization: the Deutscher Werkbund and futurism - The architectural system of Frank Lloyd Wright - National myths and classical transformations - Cubism, de Stijl and new conceptions of space - Le Corbusier's quest for ideal form - Walter Gropius, German expressionism and the Bauhaus - Architecture and revolution in Russia - Skyscraper and suburb: the U.S.A. The idea of a modern architecture in the nineteenth century - Industrialization and the city: the skyscraper as type and symbol - The search for new forms and the problem of ornament - Rationalism, the engineering tradition and reinforced concrete - Arts and crafts ideals in Britain and the U.S.A.










Modern Architecture Since 1900 by William J.R. Curtis